Producer · Operator
Live action Filmmaking
From scripted shorts to commercial sets. Running the room so directors can chase the shot.
Storyteller · Operator
I build worlds where a director's imagination meets a producer's spreadsheet, on film sets, LED volumes, ocean decks, and quiet studios.
The premise
I've spent a decade moving between the camera and the call sheet: live action film, virtual production on LED volumes, luxury sailing events on open water, and the quiet crafts that keep a maker sane.
What ties it together isn't a category. It's a way of working: hold the poetic and the practical in the same hand, and refuse to let either one win.
How the work gets made
Find the spine of the thing.
Build the engine that keeps it moving.
Ship it, into rooms, screens, and oceans.
Chapters
Five worlds, one operator. Each one taught me a rule that shows up in the next.
Producer · Operator
From scripted shorts to commercial sets. Running the room so directors can chase the shot.
Emerging practice
Florals, kombucha, fermented hot sauces, quiet rooms. Finding their way into how I design experiences at scale.

About
I've built a career at collision points, where a story needs a schedule, a moodboard needs a budget, and a beautiful idea needs a team of humans to survive contact with reality.
For the last 4.5 years I have been working in multi million dollar digital twins at a high level, from Squint Opera and Journey in London, to PropVR in the UAE, and most recently my own consultancy in Dubai in collaboration with Hiverlab.
Right now, I'm folding every one of those worlds, wellness, real estate, storytelling, live events, into a single venture that holds them all in one coherent room.
Consultancy
Four ways I show up for founders, studios and hosts trying to make something that actually moves people.
Finding the narrative spine of a project, for films, events, brands and spaces. Turning taste into a point of view.
Sitting with founders and teams to build the story around the business itself: what it stands for, why it exists, and how it's told across every surface.
The unglamorous engine behind ambitious work: budgets, teams, timelines, vendors. On set, on stage, on water.
Designing how a room, a weekend or a place feels, across live events, luxury hospitality and wellness led spaces.
Moments
A few frames from stages, sets and the in between, where most of the actual work gets done.




Off the clock
Off the clock I keep a hands on practice with a handful of crafts: arranging florals, brewing my own kombucha, fermenting hot sauces, and building slower rituals around the house. It's the softer half of the same skill, paying attention to how things taste, smell and feel, and letting that guide what gets built.